I seek to make elegant furniture featuring charming marquetry and time-honored craftsmanship. I design and build for clients to suit their practical needs and aesthetic tastes. I have been a woodworker for over 30 years and a furniture maker for over 20. My training was formal and in traditional design and construction of 18th and 19th century styles. I continue to work in those periods but am also pleased to accommodate more contemporary looks. — Paula Garbarino
This week I am excited to share a little peek inside the wonderful woodworking world of an incredible furniture maker at Joy Street Studios. She has such patience and care in her craft and it is immensely clear to see the obvious quality and high-end design detail if you take even a few steps into her studio space.
This is a peek into Paula Garbarino’s studio work and process.
What does your art/business do?
I make furniture on commission and on speculation for exhibiting.
When did you start your business and what motivated you to begin?
After graduating from North Bennet St. School in furniture making in 1988, I joined a cooperative woodshop and started my business.
All my life I’ve loved making things: miniature furniture out of toothpicks as a child and later: clothing, pottery, beadwork, weaving, macrame, creating books, stain glass work. My mother and my sisters all went for the fine arts. I liked arts that were put to use. When I discovered wood that became my labor of love.
What did you used to do before this?
I was a carpenter/cabinet maker. Before that, a feminist health activist. Before that, organic food distributor, oriental carpet restorer, clerical worker.
What was the biggest challenge in getting started?
Maintaining belief in myself is always the biggest challenge. Self confidence is necessary from day to day, year to year, start to finish and it’s always a bumpy road.
Since starting, what are you most proud of in your work?
That keeps changing. Last year it was sculpting faces. This year it has been taking responsibility for machine upkeep.
Who are three creative-types or businesses that inspire you?
I bow down to the magnificent work of Judy McKie for sculpture and design, Silas Kopf for marquetry, and Kristina Madsen for textural carving. Let me add, I am forever in awe of the ongoing excellence of my alma mater, North Bennet St. School.
What is something you find helps motivate you day-to-day to create?
It’s helpful having commission work alternating with less demanding periods when I can let an inspirational moment bubble up begging to be actualized (if I’m lucky). Also, I keep time sheets, the internalized boss who penalizes me for goofing off.
Anything else you would like to share with everybody?
You are welcome to stop by and say hello. And maybe I can cut a board for you.